SKU:3071400
- Mora Concert II, Natural Mahogany Gloss.
- This model produces a rather full tone without being considered "trebly" or "thin"
- Body: Mahogany - Back and Sides
- Top: Solid Mahogany
- Neck: Mahogany, Set Neck (Dove tail)
- Fretboard: Resinator™ Fretboard / 12 inch radius
- Fretboard Inlay: Pearloid
- Tuners: 18:1 Ratio – Hagstrom - Chrome
- Bridge: Resinatorwood
- Natural Mahogany Gloss
Beskrivelse
The Mora II models using a solid Mahogany top with Mahogany back and sides provides a more brilliant and brighter tone with a generous amount of mids. However, the model produces a rather full tone without being considered "trebly" or "thin".
As most acoustic guitars on the market today use a combination of different tone woods, this single species of wood provides a truly unique tone, where the instrument seems to be specially voiced for soloing and finger picking styles, as single notes and phrasing seem to jump out from the instrument. Cosmetically speaking, the brownish hues from the darker tone wood will attract many players looking for a new stage companion.
Finansiering
Tilgængelighed for afhentning kunne ikke indlæses
- Mora Concert II, Natural Mahogany Gloss.
- This model produces a rather full tone without being considered "trebly" or "thin"
- Body: Mahogany - Back and Sides
- Top: Solid Mahogany
- Neck: Mahogany, Set Neck (Dove tail)
- Fretboard: Resinator™ Fretboard / 12 inch radius
- Fretboard Inlay: Pearloid
- Tuners: 18:1 Ratio – Hagstrom - Chrome
- Bridge: Resinatorwood
- Natural Mahogany Gloss
Beskrivelse
The Mora II models using a solid Mahogany top with Mahogany back and sides provides a more brilliant and brighter tone with a generous amount of mids. However, the model produces a rather full tone without being considered "trebly" or "thin".
As most acoustic guitars on the market today use a combination of different tone woods, this single species of wood provides a truly unique tone, where the instrument seems to be specially voiced for soloing and finger picking styles, as single notes and phrasing seem to jump out from the instrument. Cosmetically speaking, the brownish hues from the darker tone wood will attract many players looking for a new stage companion.